{"id":13869,"date":"2024-05-05T12:08:29","date_gmt":"2024-05-05T16:08:29","guid":{"rendered":"https:\/\/antiqueref.com\/?page_id=13869"},"modified":"2026-05-28T19:41:45","modified_gmt":"2026-05-28T23:41:45","slug":"service-des-arts-industriels","status":"publish","type":"page","link":"https:\/\/antiqueref.com\/index.php\/sevres\/service-des-arts-industriels\/","title":{"rendered":"Sevres – Service des Arts Industriels"},"content":{"rendered":"\n

This service was made between 1820 and 1835, its fifteen year production spanning the reign of three Kings of France, Louis XVIII, Charles X and Louis-Philippe I. It was finally purchased in 1836 by Louis-Philippe as a gift for Prince von Metternich. Today the service provides us with a remarkable record of early 19th century social history and an almost photographic insight into the working and techniques of a wide variety of industries and crafts of this period, from the intricacies of making jewelry and the inner workings of porcelain production at S\u00e8vres to the hard labour of refining saltpetre.<\/p>\n\n\n\n

Alexandre Brongniart, director of the royal manufactory at S\u00e8vres almost certainly initiated this ambitious project, with his choice of subject matter perhaps inspired by the Exposition des produits de l’industrie Fran\u00e7ais, which took place at the Louvre in 1819. Jean-Charles Develly, one of the most talented painters at S\u00e8vres, was chosen to compose the decoration for each piece working from preparatory drawings that, unusually, were taken from life rather than engravings. Indeed an entry from the work allocations for 24 February 1820 stipulates that ‘Monsieur de Vely (sic) will be paid for the drawings according to the time spent on them, at the rate of 10 francs per day with a supplement for carriage expenses’, indicating that Develly travelled to different factories and workshops in and around Paris to observe and draw his subjects. For each finished plate he received 100 francs with the first batch of 48 appearing in the exhibition of products of the royal factories held at the Louvre on 01\/01\/1828.<\/p>\n\n\n\n

The techniques of production for this service were somewhat unusual. The blue ground was applied first, then the gilding, only then did Develly transfer his drawings on paper on to the centre of each plate. He did this by rubbing graphite over the back of each drawing and then applying this to the plate, going over the drawing again from the front to transfer the design. This was then painted in at least two stages, a rough sketch follwoed by retouching. The plates went into the \u00e9bauche kiln and then into the retouche kiln. There could be more than one retouche firing. Finally the plates went into the kiln to fire the gilt circle around each painting. Each plate cost 167.45 francs to produce and they were finally sold for 200 francs each. By the time the delivery was made to Prince von Metternich in Vienna in 1836 one hundred and thirteen plates had entered the sales inventory, one hundred and eight of which were sent to the prince, along with with sixteen fruit-bowls, six baskets, two ice-cream coolers, four deep bowls, two sugar-bowls, covers and stands and four etag\u00e8res at a total cost of 26,866 francs. This would suggest that the factory kept five plates, including three that showed porcelain manufacture at S\u00e8vres and were delivered directly to the ceramics museum at the manufactory. 
The total number of plates recorded as being produced for the service is 119.<\/p>\n\n\n\n

As leading experts on antique European porcelain, we provide FREE online appraisals<\/a><\/strong> of service ware produced by Sevres factory during 19th century. If you happen to own a Sevres plate from this or any other service and would like to find out its current market value, CONTACT US<\/mark><\/strong><\/a>. We\u2019ll be glad to assist.<\/em><\/p>\n\n\n\n

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Papeterie<\/strong> (papermaking).<\/p>\n\n\n\n

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Lithographie<\/strong>, Typographie, Graveur, Imprimeur<\/strong> – production of engravings, lithographs, prints, etc. <\/p>\n\n\n\n

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Gobelin tapestries<\/strong> production was a highly skilled and labor-intensive process, continuing a centuries-old tradition rooted in Manufacture des Gobelins in Paris. This state-run workshop was (and still is) known for producing some of the finest tapestries in Europe, primarily for royal and governmental use.<\/p>\n\n\n\n

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Papiers peints (Wallpaper)<\/strong> production before the widespread adoption of machine-printing (which began around 1840s), was primarily a manual and artisanal process. The most common technique was woodblock printing where a block was inked with one color using a felt pad or roller, and pressed onto the paper using a press. This was repeated across the strip and then repeated with the next block for the second color. Some wallpapers used as many as 10\u201320 blocks for complex multi-color designs.<\/p>\n\n\n\n

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These 3 Brasserie <\/strong>plates depict various stages of beer making. Germoir<\/em> (germination) stage of the brewing process is when simple sugars from grains are converted to alcohol and carbon dioxide, and green (young) beer is produced using cuves<\/em> (fermenting tanks). Entonnerie <\/em>is funneling beer from the tanks into the barrels.<\/p>\n\n\n\n

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A number of subjects were dedicated to showing the various stages of porcelain making and decorating at Sevres factory.<\/p>\n\n\n\n

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This service was made between 1820 and 1835, its fifteen year production spanning the reign of three Kings of France, Louis XVIII, Charles X and Louis-Philippe I. It was finally purchased in 1836 by Louis-Philippe as a gift for Prince von Metternich. Today the service provides us with a remarkable record of early 19th century social […]<\/p>\n","protected":false},"author":1,"featured_media":13934,"parent":13374,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-13869","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/pages\/13869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/comments?post=13869"}],"version-history":[{"count":123,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/pages\/13869\/revisions"}],"predecessor-version":[{"id":27617,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/pages\/13869\/revisions\/27617"}],"up":[{"embeddable":true,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/pages\/13374"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/media\/13934"}],"wp:attachment":[{"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/media?parent=13869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}