{"id":22729,"date":"2025-12-11T23:54:09","date_gmt":"2025-12-12T04:54:09","guid":{"rendered":"https:\/\/antiqueref.com\/?page_id=22729"},"modified":"2026-04-27T00:01:13","modified_gmt":"2026-04-27T04:01:13","slug":"minton-figures-shape-numbers","status":"publish","type":"page","link":"https:\/\/antiqueref.com\/index.php\/minton-figures-shape-numbers\/","title":{"rendered":"Minton Figures – Shape Numbers"},"content":{"rendered":"\n

As the world’s leading experts on antique European porcelain, we provide FREE online appraisals and help with selling Minton figures and figural groups. CONTACT US<\/em><\/mark><\/strong><\/a>. We’ll be glad to assist.<\/p>\n\n\n

\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n N\/A<\/span>\n \n Solitude<\/span>\n \n John Lawlor<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 1 - Dutch Pedlar<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 2 - Friar<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 4 - Mother Goose<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 5 Cobler's Wife<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 6 - Chamois Hunter<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 7 - Sancho Panza<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 8 - Don Quixote<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 11 - Samuel<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 12 - Goof Night<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 18 - Greyhound<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 19 - Poodle on Cushion<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 20 - Pug Dog<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 22<\/span>\n \n Spaniel<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 25 - War on Dog<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 26 - Peace on Dog<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 33 - Poodle with Basket<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 40 - Lord Byron<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 42, 43<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 54, 55<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 58, 59 - Baskets of Flowers<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 60 - Mrs Moore<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 61<\/span>\n \n Dr. Adam Clarke<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 63<\/span>\n \n William Wilberforce<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 65<\/span>\n \n Chelsea pensioner<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 66<\/span>\n \n Greenwich Pensioner<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 67<\/span>\n \n Goldsmith's Old Soldier<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 71 - William Pitt<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 72 - Charles James Fox<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 73 - Boy on basket<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 74 - Girl on basket<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 75 - Easy Johnny<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 77 - Robert Peel<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 78 - Duke of Wellington<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 79 - Shepherd<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 80 - Shepherdess<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 81 - Coachee<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 82 - Sheep Shearer<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 84, 85 - Sweetmeat Figures<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 86 - Lute Player & Companion<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 88 - Moses in the Bulrushes<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 90 - Grand Turk<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 91 - Turkish Lady<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 92 - Walter Scott<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 94 - Spanish Guitar Player<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 95, 96 - Beggars<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 97<\/span>\n \n Red Riding Hood<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 100<\/span>\n \n Duke of Sutherland<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 102 - Gypsy<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 103 - John Anderson My Joe<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 104 - Napoleon<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 106 - Queen Victoria in Veil<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 107 - Queen Victoria<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 108, 109 - Dancing Figures<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 112 - Gamekeeper<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 118 - Burlesque Painter<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 119 - Setter<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 120 - Greyhound<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 124<\/span>\n \n Boy sitting on chair<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 125<\/span>\n \n Girl sitting on chair<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 126<\/span>\n \n Sleeping children<\/span>\n \n Francis Legatt Chantrey<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 129<\/span>\n \n Prince Albert<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 130 - Large Greayhound<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 131<\/span>\n \n Mercury<\/span>\n \n Thorvaldsen<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 137 - Arabia<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 139 - Cupid on chair<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 141, 142<\/span>\n \n Figures of Putti allegorical of Time<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 144 - Persia<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 155 - Admiral<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 156 - Lady with muff<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 162<\/span>\n \n Fanny Elssler<\/span>\n \n Jeanne Auguste Barre<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 163<\/span>\n \n Ariadne<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 165<\/span>\n \n John Wesley<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 169<\/span>\n \n The Broken Pitcher<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 170<\/span>\n \n Fisherman<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 175<\/span>\n \n St Joseph<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 179<\/span>\n \n Guardian Angel<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 180 - Neapolitan Water Carrier<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 182<\/span>\n \n Dancing girl<\/span>\n \n Antonio Canova<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 183<\/span>\n \n Naomi and Her Daughters-In-Law<\/span>\n \n William Beattie<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 184<\/span>\n \n Una and The Lion<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 185<\/span>\n \n Bust of Jenny Lind<\/span>\n \n Samuel Joseph<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 187<\/span>\n \n Infant Neptune<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 188<\/span>\n \n Kissing Cupids<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 189<\/span>\n \n Dorothea<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 190<\/span>\n \n Bust of Duke of Wellington<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 191<\/span>\n \n Cupid Seal Handle<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 192<\/span>\n \n Virgin of the Annunciation<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 193<\/span>\n \n Angel of the Annunciation<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 195<\/span>\n \n Dancing girl<\/span>\n \n Antonio Canova<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 198<\/span>\n \n Prayer<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 199<\/span>\n \n Belief<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 200<\/span>\n \n Shakespeare<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 201<\/span>\n \n Comedy<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 202<\/span>\n \n Tragedy<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 203<\/span>\n \n Clorinda<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 204<\/span>\n \n Rose of England<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 206<\/span>\n \n Prince of Wales<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 207<\/span>\n \n Greek Slave<\/span>\n \n Hiram Powers<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 208<\/span>\n \n Infant Bacchus<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 210 - Mother<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 211 - Maternal Devotion<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 214<\/span>\n \n Child's Play<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 216<\/span>\n \n Temperance<\/span>\n \n Filippo della Valle<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 217<\/span>\n \n Cupid and Psyche<\/span>\n \n Hamlet Bourne<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 218<\/span>\n \n Babes in the woods<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 219, 220<\/span>\n \n May Queen and May King<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 221<\/span>\n \n Christ<\/span>\n \n Thorvaldsen<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 222<\/span>\n \n Triton & Nautilus<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 223<\/span>\n \n Flight to Egypt<\/span>\n \n Murillo<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 224<\/span>\n \n Angel Font<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 240<\/span>\n \n Archangel Michael<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 242, 243<\/span>\n \n Boy and Girl Match Holdres<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 244<\/span>\n \n The First Mother<\/span>\n \n Auguste-Hyacinthe Debay<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 245<\/span>\n \n Miranda<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 246<\/span>\n \n Amazon<\/span>\n \n Jean-Jacques Feuchere<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 251<\/span>\n \n Atala and Chastas<\/span>\n \n Joseph-Michel-Ange Pollet<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 252<\/span>\n \n Love Restraining Wrath<\/span>\n \n William Beattie<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 253<\/span>\n \n Sir Robert Peel<\/span>\n \n H. Ross<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 254<\/span>\n \n Theseus<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 255<\/span>\n \n Venus and Cupid in Shell<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 256<\/span>\n \n Flora<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 257<\/span>\n \n Children with Goat<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 258<\/span>\n \n Children with Goat<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 259, 260<\/span>\n \n Tinker and Gipsy Match Holders<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 267<\/span>\n \n Venus at Bath<\/span>\n \n Falconet<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 271<\/span>\n \n The Three Marys<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 276<\/span>\n \n The Wounded Indian<\/span>\n \n Peter Stephenson<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 279<\/span>\n \n Prometheus<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 282 - Man with Basket<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 283 - Woman with Basket<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 286 - Horse<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 287<\/span>\n \n Psyche<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 288<\/span>\n \n Pandora<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 291, 292<\/span>\n \n Monkey Musicians Match Holders<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 296<\/span>\n \n The Labourers<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 297<\/span>\n \n Diana<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 302<\/span>\n \n Christ blessing little children<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 306, 307<\/span>\n \n Piper and Listener<\/span>\n \n Pierre-Emile Jeannest<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 308, 309<\/span>\n \n Lords Ronald & Albert Gower<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 311<\/span>\n \n Webster<\/span>\n \n Thomas Ball<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 312<\/span>\n \n Grape bearer<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 313<\/span>\n \n Grape bearer's companion<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 317<\/span>\n \n Hunter<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 324<\/span>\n \n Mother and firstborn<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 325<\/span>\n \n Lady Constance<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 326<\/span>\n \n Sea horse with shell<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 327<\/span>\n \n Cain and Abel<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 328<\/span>\n \n Vestal Virgin<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 329, 330<\/span>\n \n Adam and Eve<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 334<\/span>\n \n Bust of Lady Constance<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 335<\/span>\n \n Sappho<\/span>\n \n James Pradier<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 336<\/span>\n \n Venus and Cupid<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 337<\/span>\n \n Leda and The Swan<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 338<\/span>\n \n Resignation<\/span>\n \n William Calder Marshall<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 339<\/span>\n \n Hebe and the Eagle<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 340<\/span>\n \n Victory on pedestal<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 342<\/span>\n \n Christ and his disciples<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 343<\/span>\n \n Margaret of Anjou<\/span>\n \n MacBride<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 344<\/span>\n \n Henry Havelock<\/span>\n \n MacBride<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 346<\/span>\n \n Colin Campbell<\/span>\n \n MacBride<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 350<\/span>\n \n Cupid<\/span>\n \n Hugues Prot\u00e2t<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 351<\/span>\n \n Ondine<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 353<\/span>\n \n Bacchus<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 355<\/span>\n \n Queen Victoria<\/span>\n \n Carlo Marochetti<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 356<\/span>\n \n Prince Consort<\/span>\n \n Carlo Marochetti<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 357<\/span>\n \n Prince Alfred with Pony<\/span>\n \n Carlo Marochetti<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 358<\/span>\n \n Victor Emmanuel - King of Sardinia<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 359<\/span>\n \n Ariadne<\/span>\n \n Clodion<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 361<\/span>\n \n Boy & Donkey<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 362<\/span>\n \n Princess Helena<\/span>\n \n Mary Thornycroft<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 363<\/span>\n \n Princess Louise<\/span>\n \n Mary Thornycroft<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 364<\/span>\n \n Princess Beatrice<\/span>\n \n Mary Thornycroft<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 365<\/span>\n \n Vintagers With Shell<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 366<\/span>\n \n Major Hodson<\/span>\n \n Hugues Prot\u00e2t<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 367<\/span>\n \n Science<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 368<\/span>\n \n Allegory of Art<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 369<\/span>\n \n Industry<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 374<\/span>\n \n Silence<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 375<\/span>\n \n Vintager<\/span>\n \n Hugues Prot\u00e2t<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Large\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 376<\/span>\n \n Vintager with Baskets<\/span>\n \n Hugues Prot\u00e2t<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 379<\/span>\n \n Dutches of Kent<\/span>\n \n Mary Thornycroft<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 380<\/span>\n \n Water Nymph<\/span>\n \n John Thomas<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 381<\/span>\n \n Prince Leopold as a fisherboy<\/span>\n \n Mary Thornycroft<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 383<\/span>\n \n Lady Godiva<\/span>\n \n John Thomas<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 384, 385<\/span>\n \n Spring and Autumn<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 387<\/span>\n \n Spring<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 388<\/span>\n \n Summer<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 389<\/span>\n \n Autumn<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 390<\/span>\n \n Winter<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 391<\/span>\n \n Lalage<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 393<\/span>\n \n Daniel Saved<\/span>\n \n William Beattie<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 394<\/span>\n \n Princess Alice<\/span>\n \n Mary Thornycroft<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 397<\/span>\n \n Allegory of Literature<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 398<\/span>\n \n Children with dove<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 400<\/span>\n \n Hawking<\/span>\n \n Pierre-Emile Jeannest<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 401<\/span>\n \n Fishing<\/span>\n \n Pierre-Emile Jeannest<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 402<\/span>\n \n Prince of Wales<\/span>\n \n Mary Thornycroft<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 403<\/span>\n \n Boy and foxhound<\/span>\n \n Pierre-Emile Jeannest<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 404<\/span>\n \n Boy and fox<\/span>\n \n Pierre-Emile Jeannest<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 405 - Cherub with Basket<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 406 - Cherub with Basket<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 412<\/span>\n \n The Lion In Love<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 413<\/span>\n \n Man with Wheelbarrow<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 415<\/span>\n \n Europa and the Bull<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 416<\/span>\n \n Crossing Sweep<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 417<\/span>\n \n Orange Girl<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 418<\/span>\n \n Lord Palmerston<\/span>\n \n George Abbott<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 420<\/span>\n \n Star of Bethlehem<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 421<\/span>\n \n Boy with basket<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 425<\/span>\n \n Perseus and Andromeda<\/span>\n \n Victor Simyan<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 426<\/span>\n \n Fraternal Embrace<\/span>\n \n Foley<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 428<\/span>\n \n Portia<\/span>\n \n Felix Martin Miller<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 429<\/span>\n \n Elaine<\/span>\n \n Felix Martin Miller<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 430<\/span>\n \n Viola<\/span>\n \n Felix Martin Miller<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 431<\/span>\n \n Girl with basket<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 436<\/span>\n \n Rhodope and The Eagle<\/span>\n \n Charles Francis Fuller<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 438<\/span>\n \n Europa and The Bull<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 442<\/span>\n \n The Lady of The Lake<\/span>\n \n Felix Martin Miller<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 444<\/span>\n \n Andromeda<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 449<\/span>\n \n Donkey<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 450<\/span>\n \n Octoroon<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 451<\/span>\n \n Abyssinian Slave<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 452<\/span>\n \n The Last Kiss<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 453<\/span>\n \n Beg<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 454<\/span>\n \n Imogen entering the cave<\/span>\n \n John Bell<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 458<\/span>\n \n Duke of Sutherland<\/span>\n \n Matthew Noble<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 459<\/span>\n \n Duchess of Sutherland<\/span>\n \n Matthew Noble<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 460<\/span>\n \n Cupid Flower Holder<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 463<\/span>\n \n The Reader<\/span>\n \n Albert-Ernest Carrier-Belleuse<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 464<\/span>\n \n Bust of Marguerite<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 465 - Canadian Trapper<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 466 - Vintager<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 469<\/span>\n \n Fine Art<\/span>\n \n Thomas Nelson MacLean<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 470<\/span>\n \n Science<\/span>\n \n Thomas Nelson MacLean<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 471<\/span>\n \n Flower of the town<\/span>\n \n Thomas Nelson MacLean<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 472<\/span>\n \n Flower of the field<\/span>\n \n Thomas Nelson MacLean<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 473, 474<\/span>\n \n Bacchus and Ondine on pedestals<\/span>\n \n Jean-Baptiste Klagmann<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 477<\/span>\n \n Flower holder "Confidence"<\/span>\n \n \n <\/span>\n <\/a>\n \n \n \n 478<\/span>\n \n Japanese Lady<\/span>\n \n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 486 - Cupid Salt<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 487 - Infant Neptune<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 491 - Salar Jung<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 501<\/span>\n \n Colin Minton Campbell<\/span>\n \n Thomas Brock<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n \n
\n \n \n \"Minton\n <\/span>\n <\/a>\n \n \n \"Minton\n <\/span>\n <\/a>\n <\/div>\n\n
\n \n \n \n 502<\/span>\n \n Henry Morton Stanley<\/span>\n \n Mac Bride<\/span>\n \n <\/span>\n <\/a>\n \n \n \n 503, 504<\/span>\n \n Figures<\/span>\n \n Felix Martin Miller<\/span>\n \n <\/span>\n <\/a>\n <\/div>\n <\/div>\n \n\n\n\n
<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

As the world’s leading experts on antique European porcelain, we provide FREE online appraisals and help with selling Minton figures and figural groups. CONTACT US. We’ll be glad to assist.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-22729","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/pages\/22729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/comments?post=22729"}],"version-history":[{"count":125,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/pages\/22729\/revisions"}],"predecessor-version":[{"id":26637,"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/pages\/22729\/revisions\/26637"}],"wp:attachment":[{"href":"https:\/\/antiqueref.com\/index.php\/wp-json\/wp\/v2\/media?parent=22729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}